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Film Review INVASION MOVIE edit

Published on April 6th, 2015 | by Ada Uzoije

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INVASION 1897 : The British Stole from us

INVASION MOVIE edit

   

 Written By Ada Uzoije

 

Just a few months after it was released in December, 2014, INVASION 1897 notoriously stood proud among other Nigerian Films for attracting the most international controversy. The film openly depicted the cries from the present generations of the Benin Kingdom in Nigeria to the past dead generation who witnessed the invasion and theft of their artefacts by the British Empire.

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The Benin Empire was a pre-colonial African empire, with its capital Benin City (located in what is now Edo State in Nigeria). It should not be confused with the modern-day country called Benin, formerly called Dahomey. Source: https://kmjantz.wordpress.com

The movie is a very strong example of the dark effect of colonisation on black people, as well as the fact that it was the only film made in Africa among others film from the Caribbean and USA that was selected by the British Film Institute (BFI) for a four month screening programme called the AFRICAN ODYSSEYS (December 2014-March 2015) that included a lecture on Black history.
On behalf of Zimlink, Myself (Ada Uzoije) and Simba Chioto, we attended the African Odysseys screening of Invasion 1897 on the 7th of February, 2015 at the BFI in London, UK.
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LANCELOT ODUWA IMASUEN  (Director/producer of Invasion 1897)

Lancelot Oduwa Imasuen, a descendant of the old Benin kingdom, was the director and producer of this historic film on the factual British invasion of the Benin Kingdom, Nigeria in 1897. The movie commenced with a scene in London where the research student, Igie Ehanire (Charles CHUCKKY Venn) a Benin descendant living in the UK, became emotional after an art history class from his lecturer,(Rudolf walker who play the role of Patrick in the UK’s soap drama Eastenders) on the British invasion of Benin. Igie learnt that some of the artworks stolen by the British were being displaying in museum across the Globe, including a museum in London. Igie did the irony; he went to the museum in London and stole one of the artefacts on display. Unluckily, Igie was caught, but his story went viral, bringing him supporters who protested outside of the courtroom for the Judge to find him not guilty of stealing what belonged to his people.
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                    IGIE EHANIRE in the courtroom
  Igie refused to plead guilty to theft, and he defended himself by narrating the story of the how the British contributed to the fall of his ancestors’ empire that consequently headed the migration of the artefacts to the British Museum.
Here are my famous lines between Igie and the Judge:
“The art work is mine! It belongs to my own people. ..Made by my people . I’m not stealing my Lord…I was attempting to return item (artefacts) stolen 100 years ago” said Igie Ehanire
“It belongs to the museum” said the British Judge
“No my Lord, it was stolen by the white man in the year 1897”  Igie Ehanire, replied.
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MIKE OMOREGBE as the Oba (king) OVORAMWEM NOGBAISI in a scene from the movie 
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OVONRAMWEM NOGBAISI (ruled 1888–1897), also called Overami, was the Oba (king) of the Kingdom of Benin up until the British punitive expedition of 1897. Source: http://en.wikipedia.org/wiki/Ovonramwen

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A Benin Bronze of the OBA (king) of Benin Kingdom sitting on his throne with two guards. You can see this bronze sculpture and many more arts from Nigeria at the British Museum, Great Russell Street, WC1B 3DG http://www.britishmuseum.org/

The historic account being told through Igie’s grief which was showed through flash blacks, unfolded the untold heroic account of the many years during which Ovoramwen Nogbaisi played by Mike Omoregbe, the Oba (king) of Benin refused to succumb to the several cunny strategies from the British Empire to seize control of the Benin Kingdom.
After years of dispute on The Gallwey Treaty of 1892, the British armies, led by Admiral Sir Harry Rawson, destroyed and burned the city, and they took with them stolen artefacts from the King’s palace and from its people. These included portrait figures, statues, carved ivory and brass (usually known as the “Benin Bronzes”).
Undoubtedly, Invasion 1897 is a purely rich cultural film cherishing the traditional buildings, landscape, costume and beliefs of the old Benin Kingdom. The houses were built using clay soil wall finished with crafted thatch roofing. The women wear coral beads necklaces and a wrapper covering their chest and their modesty, while the younger children barely wear anything.
The men also wear wrappers below their waists and most have their chest uncovered. The film reveals the use of masquerades dancing and some ritual ceremonies performed at one of the Oba’s daughter traditional wedding.

 

inva341Some of the chiefs argued over their Oba’s dealing with the  British (A scene from Invasion 1897)
Benin Kingdom tradition demands total obedience from the people to their Oba. Oba Ovoramwen was not only the ruler of his kingdom, but he was also the administrative and spiritual head. This was evident in the film where the Oba refused to sign an unfavourable treaty and instead he told the British’s general that he was a spirit that needed no protection from Queen Victoria and his armies. Ovoramwen and his chiefs displayed their wise wisdom in governing the people in their use of proverbial language to discuss political matters. I am particular fond of two proverbs spoken in the film by the Oba (King) Ovoramwen:
“Just because the Tiger has a headache doesn’t mean the antelope can dare him” The king said when an informant told him of the plot from one of the villages trying to seek alliance with the British to gain independence from the Benin Kingdom.
“Trust is the first mobility to disappointment”  The King explained to his chiefs in the palace about why he was being hesitant in trusting Queen Victoria’s armies.
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A falling British soldier from the 1897 Benin Kingdom war scene
Not all films are worth watching, most are just mere entertainment, but a few like Invasion 1897 are here to helps us remember our past and better our future. A film so sensitive like this should not be buried under the carpet, it should be applauded for being the first in-depth film to incarnate the rise and fall of the Great Benin Kingdom, from the perspective of a director who wanted to share the story of his ancestors to the entire world. If ever the stolen artefacts are returned back to the rightful owner, I want another film to be made to celebrate their return.

 

 

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ADA UZOIJE (Novelist)

     About the Author
 Ada Uzoije is a fiction novelist, specialising in  crimes, psychological thrillers and paranormal stories. Ada is also a publishing manager, film editor and a passionate film reviewer.www.adauzoije.com


About the Author



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